1. Academic accordion music genres: mutual influence of concert and sonata // Bulletin of the Saratov Conservatory. Questions of art history. 2020, № 3 (9), pp. 42-47.

2. Bayan in the works of contemporary St. Petersburg composers // Scientific journal of the St. Petersburg Conservatory Opera musicologica, № 4 [42], 2019, pp. 72-86.

3. Competition as a way to improve the performance of students in the system of music education // Modern music education – 2013: Materials of the international scientific and practical conference. – SPb., Publishing house RSPU im. A.I. Herzen, 2014, pp. 130-132.

4. Digital space in music. Digital Accordions // Contemporary Music Education – 2017: Proceedings of the XVI International Scientific and Practical Conference / Ed. I. B. Gorbunova. – SPb.: Satori Publishing House, 2018, pp. 345-348.

5. Features of the methodology of working with children at the initial stage of learning to play the accordion // My pedagogical experience. Collection of articles based on the materials of the pedagogical conference / Compiled by I.K. Chaitsyna, A.V. Varsopko. – TsPKS “Information and methodological center” of the Vasileostrovsky district of St. Petersburg, TsTRiGO “On Vasilievsky”, 2011, pp. 8-12.

6. Features of preparing pupils for a competitive performance at the initial stage of learning to play the accordion // Ensuring the quality of the educational process: Collection of articles / Ed. L. P. Novikova, O. N. Pankova. – SPb .: “IRIS”, 2014, pp. 61-65.

7. Formation of professional bayan art in St. Petersburg // Art – Education – Culture: traditions and modernity: a collection of proceedings of the All-Russian scientific and practical conference (Moscow, April 21-22, 2019). – Moscow: Institute of Contemporary Art, 2019, pp. 107-111.

8. From the history of the creation of instruments: from the acoustic accordion to digital instrumentation. Features of application in a mixed ensemble // Musical and computer technologies. Issue IV: Electronic musical instruments. Theory and practice of performing arts: Collection of articles / Comp. I. B. Gorbunova, K. B. Davletova – SPb.: Publishing house of the Russian State Pedagogical University named after A. I. Herzen, 2018, pp. 24-29.

9. Gennady Banshchikov “Sonata is a genre that is maximally symphonic” (talked about I. Grigorieva) // Musicus No. 4 (64): bulletin of the St. Petersburg State Rimsky-Korsakov Conservatory / founder and publisher: St. Petersburg State Conservatory named after N. A. Rimsky-Korsakov, 2020, pp. 10-12.

10. Problems of interpreting sonatas for bayan by Petersburg composers: on the question of creative cooperation between a composer and a performer // Accordion and button accordion performance: questions of methodology, theory and history. Collection of scientific articles of teachers and graduates of the bayan and accordion department of St. N. A. Rimsky-Korsakov / comp. I. L. Grigorieva. – Issue. 3. – SPb.: Composer • Saint Petersburg, 2019, pp. 33-47.

11. Program of teaching to play digital accordions in an institution of additional education for children // Electronic musical instruments. Theory and practice of performing arts: Collection of articles / Comp. I. B. Gorbunova, K. B. Davletova. – SPb.: Publishing house of the Russian State Pedagogical University named after A.I. Herzen, 2016, pp. 75-79.

12. Specific Techniques for Playing the Bayan on the Example of Works by Contemporary Russian Composers // St. Petersburg Conservatory in the Dialogue of Generations: Modern Problems of Performing Art: Collection of articles. materials of the scientific and practical session (theses) / ed.-comp. E. V. Romanova; St. Petersburg State Conservatory named after N. A, Rimsky-Korsakov. – St. Petersburg; Saratov: Amirit, 2020, pp. 32-34.

13. Technologies for the formation of a child’s personal qualities when learning to play the accordion // Systematicity in the organization of additional education for children: Collection of articles / Ed. L. P. Novikova, R. V. Trofimova, O. N. Pankova – SPb.: “IRIS”, 2016, pp. 11-17.

14. Three points of reference in the formation of academic bayan art // Scientific journal “Manuscript”. Tambov: Diploma, 2019. Volume 12. Issue 4, pp. 131-135.

15. Yakov Orlansky-Titarenko and his role in the development of the bayan art of St. Petersburg // Bayan, accordion, national harmonica in the third millennium: materials of scientific and practical conferences / Editor- L.V. Varavina. – Rostov n /D: RGK im. S. V. Rachmaninova, 2020, pp. 49-59.